Category Archives: Documentary

60's Counterculture, Art world, Documentary, Religion

SIFF 2019: Barbara Rubin and the Exploding NY Underground (***)

May 26, 2019 Dennis Hartley

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on June 1, 2019)

Just when I thought I knew everything about the Warhol Factory scene, this fascinating documentary introduces an overlooked player. Barbara Rubin was a Zelig-like character who moved to NYC at 18, became enmeshed with some of the era’s most culturally significant artists…then became one herself as a pioneering feminist filmmaker. And many years before Madonna dabbled in Kabbalah culture, Rubin embraced it full-bore, taking the traditionally patriarchal Orthodox Jewish community head on while re-inventing herself.

Behind the Music, Documentary, Rock 'n' Roll

SIFF 2019: Enormous: The Gorge Story (***)

May 26, 2019 Dennis Hartley

By Dennis Hartley

The Gorge is big. You just won’t believe how vastly, hugely, mind-bogglingly big it is. I mean, you may think it’s a long way down the road to the mall, but that’s just peanuts to the Gorge (with apologies to Douglas Adams). I refer to Washington State’s Columbia Gorge, 140 miles from Seattle. For music fans, the Gorge has become synonymous with memorable concert experiences. This amiable doc traces its transformation from a homemade stage built in the 80s to accommodate a wine-tasting to a now legendary music mecca. Employees, fans and artists (Dave Matthews, Mike McCready, Steve Miller, John Oates, Jason Mraz, et. al.) share favorite memories.

Documentary, Journalism, Politics, Writers

SIFF 2019: Raise Hell: The Life and Times of Molly Ivins (***1/2)

May 26, 2019 Dennis Hartley

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 25, 2019)

Janice Engel profiles the late, great political columnist and liberal icon Molly Ivins, who suffered no fools gladly on either side of the aisle. Engel digs beneath Ivins’ bigger-than-life public personae, revealing an individual who grew up in red state Texas as a shy outsider.

Self-conscious about her physicality (towering over her classmates at 6 feet by age 12), she learned how to neutralize the inevitable teasing with her fierce intelligence and wit (I find interesting parallels with Janis Joplin’s formative Texas years). Her political awakening also came early (to the chagrin of her conservative oilman father).

The archival clips of Ivins imparting her incomparable wit and wisdom are gold; although I was left wishing Engel had included more (and I am dying to know what Ivins would say about you-know-who).

Documentary

SIFF 2019: Kifaru (***1/2)

May 25, 2019 Dennis Hartley

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on June 1, 2019)

I haven’t cried like this over an animal movie since I saw Old Yeller as a kid. But there’s a palpable sadness running throughout David Hambridge’s extraordinarily moving documentary about the life and death of “Sudan”, the last male white rhino. The film is as much about his dedicated caretakers James and JoJo, workers at Kenya’s Ol Pejeta wildlife conservancy. Thankfully, we are given hope for the future (thanks to the miracles of modern science).

Documentary, Road Movie

SIFF 2019: Eastern Memories (**)

May 25, 2019 Dennis Hartley

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 25, 2019)

Using excerpts from 100 year-old journals by Finnish linguist G.J. Ramstedt as a narrative, directors Niklas Kullstrom and Martti Kaartinen retrace his experiences in two countries. He was sent to Mongolia to study and compile a written record of the language, then was later assigned to a diplomatic post in Japan-where he studied the Korean language (I know-a little confusing).

While his studies were primarily academic, his journals reflected a more subjective take on the geography and people of the respective countries. The directors juxtapose Ramstedt’s century-old musings with modern travelogues of the locations he wrote about. Despite the intriguing premise, the film is deadly dull in execution-not helped by dry and perfunctory narration.

Behind the Music, Documentary

SIFF 2019: Who Let the Dogs Out? (***)

May 25, 2019 Dennis Hartley

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 18, 2019)

Who let the dogs out? Frankly my dear, I don’t give a damn, because I have hated that tuneless ear worm since I first heard it in 2000. That said, my opinion holds no sway in the grand scheme, because it remains one of the most ubiquitous anthems of the last 20 years.

For me, the biggest question is: “Why?” However, for “cultural curator” Ben Sisto the nagging question is “Who?” …as in, who actually wrote the song? Triggered by a “sloppy” Wikipedia entry regarding authorship of the Baha Men’s one-hit-wonder, Sisto went on an 8-year quest to solve the mystery. As Sisto runs the chalk backwards, the story becomes curiouser and curiouser; both Roshomon-style mystery and treatise on the objective psyche.

60's Counterculture, Behind the Music, Documentary, Rock 'n' Roll

SIFF 2019: David Crosby: Remember My Name (***1/2)

May 25, 2019 Dennis Hartley

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 18, 2019)

David Crosby marvels aloud in A.J. Eaton’s film that he’s still above ground …as do we. Cameron Crowe produced this doc, edited from several days of candid interviews he conducted with the 77 year-old music legend. Crosby relays all: the sights, the sounds, the smells of six decades of rock ‘n’ roll excess. I was left contemplating this bittersweet line from Almost Famous: “You’ll meet them all again on the long journey to the middle.”

Documentary

SIFF 2019: Honeyland (***)

May 25, 2019 Dennis Hartley

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 18, 2019)

Filmmakers Ljubomir Stefanov and Tamara Kotevska spent three years documenting the daily hard-scrabble life of Hatidze Muratova, a “bee hunter” who lives in the Balkans. She supports herself and her elderly mother by selling raw honey to local village merchants. When a family of Turkish itinerant farmers sets up camp next door, the delicate and carefully cultivated balance of her bee colony’s productivity is potentially threatened. A unique meditation on human nature…and on nature itself.

Documentary, Politics

SIFF 2019: Putin’s Witnesses (****)

May 18, 2019 Dennis Hartley

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 18, 2019)

While watching this extraordinarily intimate behind-the-scenes look at Vladimir Putin as he (sort of) campaigns for the Russian presidency in 2000, I began to think “OK…the guy who made this film is now either (a.) Dead (b.) Being held at an undisclosed location somewhere in Siberia or (c.) Living in exile…right?” I was relieved to learn that the correct answer is (c.) – Director Vitaly Mansky is currently alive and well and living in Latvia.

In 1999, Manksy (a TV journalist at the time) was assigned to accompany Putin on the campaign trail; hence the treasure trove of footage he had at his disposal for creating this unique time capsule of a significant moment in Russian history.

The most amazing sequence doesn’t even involve Putin…Mansky and his cameras are right there in the living room of noticeably unwell outgoing president Boris Yeltsin as he anxiously watches TV coverage with his family on election night in 2000. When former Soviet leader Mikhail Gorbachev pops onscreen in an interview, Yeltsin (likely half in the bag) flies into a rage, yelling at the TV and demanding that it be turned off (Armando Ianucci couldn’t have written a funnier scene).

Conspiracy a-go-go, Documentary, Politics

SIFF 2019: Cold Case Hammarskjold (***1/2)

May 18, 2019 Dennis Hartley

By Dennis Hartley

(Originally posted on Digby’s Hullabaloo on May 18, 2019)

Initially, Mads Brugger’s documentary promises to be straightforward investigative journalism regarding the mysterious 1961 plane crash in Zambia that killed UN Secretary-General Dag Hammarsjkold. But around the halfway mark, Brugger pivots, now claiming (admitting?) it may all just be a wild conspiracy theory. Either way, it’s a riveting political thriller (and if true-very disconcerting). I was reminded of Orson Welles’ (more playful) semi-documentary ‘F’ for Fake, which teases the viewer’s perceptions regarding what it’s “about”.